Gertrude Lippincott Award

Gertrude Lippincott Award är ett årligt pris för bästa engelskspråkiga artikel inom området dansstudier. Tidigare belönades den av Society of Dance History Scholars ; sedan 2017 delas den ut av Dansvetenskapsförbundet.

Priset på 500 dollar är uppkallat efter modern danslärare och mentor Gertrude Lippincott och hedrar ett exemplariskt dansstipendium. Ms. Lippincott hedrades själv 1973 med National Dance Association's Heritage Award för sina bidrag till dansutbildningen. Hon var en av grundarna av Congress on Research in Dance och Modern Dance Center i Minneapolis. Hon var också redaktör för tidskrifterna Dance Observer och Dance Magazine .

Pristagare

2022 - Royona Mitra, "Unmaking Contact: Choreographic Touch at the Intersections of Race, Caste and Gender" (Dance Research Journal, 2021)
2022 - (hedersomnämnande): Lindsey Drury, "The Double Life of Pagan Dance: Indigenous Rituality, Early Modern Dance, and the Language of US Newspapers" (European Journal of Theatre and Performance, 2021)
2021 - Jade Power-Sotomayor, "Moving Borders and Dancing in Place: Son Jarocho's Speaking Bodies at the Fandango Fronterizo" (TDR, 2020)
2021 - (hedersomnämnande): Hannah Kosstrin, "Vems judiskhet? Inbal Dance Theatre and Cold War American Spectatorship” (American Jewish History, 2020)
2020: Judith Hamera, "Rehearsal Problems: Gus Giordanos 'The Rehearsal' and the Serious Business of Middlebrow Dance" i Theatre Journal (juni 2019, Vol.71:2): 171-189.
2019 - Rizvana Bradley, "Black Cinematic Gesture and the Aesthetics of Contagion" i TDR (våren 2018): 14-30
2018 - VK Preston, "Baroque Relations: Performing Silver and Gold in Daniel Rabel's Ballet of the Americas," i The Oxford Handbook of Dance and Reenactment , redigerad av Mark Franko (New York: Oxford, 2017), s. 285-310.
2017 - Kareem Khubchandani, "Ormar på dansgolvet: Bollywood, Gesture och Gender," The Velvet Light Trap 77 (2016), s. 69-85.
2016 - Brandon Shaw, "Phantom Limbs and the Weight of Grief in Sasha Waltz's noBody" Theatre Journal 67 (2015), s. 21-42.
2016 (hedersomnämnande) - Andrea Harris, "Sur la Pointe on the Prairie: Giuseppina Morlacchi and the Urban Problem in the Frontier Melodrama," i The Journal of American Drama and Theatre 27:1 (Vinter 2015).
2015 - Sherril Dodds, "The Choreographic Interface: Dancing Facial Expression in Hip-Hop and Neo-Burlesque Striptease" i Dance Research Journal 46:Special Issue 02 (2014), s. 39–56.
2014 - Alexandra Kolb, "The Migration and Globalization of Schuhplattler Dance: A Sociological Analysis" i Cultural Sociology 7:1, s. 39–55
2013 - Anurima Banerji, "Dance and the Distributed Body: Odissi, Ritual Practice, and Mahari Performance" i About Performance 11: 7–39
2013 - J. Lorenzo Perillo, "'Om jag inte satt i fängelse, skulle jag inte vara känd': Discipline, Choreography, and Mimicry in the Philippines" i Theatre Journal 63: 607–621.
2011 - Selby Wynn Schwartz, "Martha@Martha: A Séance with Richard Move" i Women & Performance: A Journal of Feminist Theory 20.1 (2010): 61–87.
2011 (hedersomnämnande) - Öykü Potuoglu-Cook, "The Uneasy Vernacular: Choreographing Multiculturalism and Dancing Difference Away in Globalized Turkey" i Anthropological Notebooks 16.3 (2010): 93–105.
2010 - Kate Elswit, "'Berlin ... Your Dance Partner is Death" i TDR: The Drama Review , 53:1 2009, s. 73–92.
2009 - Cindy Garcia, "Don't leave me Celia: Salsera homosociality and pan-Latina corporealities" i Women and Performance: A Journal of Feminist Theory , 18:3, s. 199–213.,
2009 - hedersomnämnande till Victoria Phillips Geduld, "Performing Communism in the American Dance: Culture, Politics, and the New Dance Group" i American Communist History 7:1, 2008, s. 39–65.
2009 - hedersomnämnande till Melissa Blanco Borelli, "Yahora que vas a hacer, mulata? Hip koreografier i den mexikanska cabareterafilmen 'Mulata'" i Women and Performance: A Journal of Feminist Theory , 18:3, s. 215–233.
2008 - Priya Srinivasan, "The Bodies Beneath the Smoke or What's Behind the Cigarette Poster: Unearthing Kinesthetic Connections in American Dance History" i Discourse in Dance , Ramsey Burt och Susan Leigh Foster, redaktörer, Volym 4 Issue 1 2007, s. 7 48.
2008 - Rebekah Kowal, "Dance Travels: 'Walking With Pearl'" Performance Research , 12(2), s. 85–94, 2007.
2007 - Anthea Kraut, "Recovering Hurston, Reconsidering the Choreographer" som dök upp i Women and Performance: A Journal of Feminist Theory, 16/1 (mars 2006).
2007 - hedersomnämnande till April K. Henderson, "Dancing Between Islands: Hip Hop and the Samoan Diaspora" som dök upp i The Vinyl Ain't Final: Hip Hop and the Globalization of Black Popular Culture, Dipannita Basuand och Sidney J. Lemelle, eds., London: Pluto Press, 2006.
2006 - Kimerer LeMothe, "'A God Dances through Me': Isadora Duncan on Friedrich Nietzsche's Revaluation of Values," Journal of Religion 85 (2), 2005, s. 241–266.
2005 - Inget pris delas ut.
2004 - Danielle Goldman, "Ghostcatching: An Intersection of Technology, Labor, and Race," Dance Research Journal v. 35/2 & 36/2 (Vinter 2003 & Summer 2004 kombinerat nummer) s. 68–87. 2004.
2003 - Inget pris delas ut.
2002 - Theresa Jill Buckland, "Th'Owd Pagan Dance": Ritual, Enchantment, and an Enduring Intellectual Paradigm", i Journal for the Anthropological Study of Human Movement, vols 11, nr 4 och 12, nr 1, hösten 2001 /Våren 2002.
2001 - Petra Kuppers, "Deconstructing Images: Performing Disability," Contemporary Theatre Review 11.3&4 (2001).
2000 - Anne Flynn och Lisa Doolittle, "Dancing in the Canadian Wasteland: A Post-Colonial Reading of Regionalism in the 1960s and 1970s", i Dancing Bodies, Living Histories: New Writing about Dance and Culture, redigerad av Anne Flynn och Lisa Doolittle (Banff Center Press, 2000).
1999 - Susan C. Cook, "Watching Our Step: Embodying Research, Telling Stories," i Audible Traces: Gender, Identity, and Music , redigerad av Elaine Barkin och Lydia Hamessley (Zürich: Carciofoli Verlagshaus, 1999).
1998 - Ananya Chatterjea , " Chandralekha : Negotiating the Female Body and Movement in Cultural/Political Signification," Dance Research Journal 30.2 (våren 1998).
1997 - Jody Bruner, "Redeeming Giselle: Making a Case for the Ballet We Love to Hate," i Rethinking the Sylph: New Perspectives on the Romantic Ballet, redigerad av Lynn Garafola (Middletown, Conn.: Wesleyan University Press, 1997).
1996 - Linda J. Tomko, "Fête Accompli: Gender, 'Folk Dance' and Progressive-Era Political Ideals in New York City," i Corporealities: Dancing Knowledge, Culture, and Power , redigerad av Susan Leigh Foster (London och New York) York: Routledge, 1996).

Resurser